tortured echoes weep
her hands look meek but they're more than just motion
motives pressed and buried into her thick mind
she doesn't forget
but she never remembers why
destiny kills in the shadow of summer
supported by 11 fans who also own “destiny's kill room”
Ἡ εἰκών was an impressive debut, but way too short! Luckily, Ψευδομένη arrives to satisfy the urge for more of what made its precedessor hit hard and fast: some atmospheric moments (don't be deterred as this is still brutal, dissonant and disgusting to the core) and at the same time, J.L. is exploring longer tracks - e.g. my personal favourite - and implementing some cavernous lows. If there's one thing we can all agree on, it's most likely that this man refuses to stand still. What a pace! David Fischer